![]() The Afterparty counts Christopher Miller, one-half of the duo responsible for films like 21 Jump Street and The Lego Movie, as its creator and director. Sam Richardson brings heart and humor to The Afterparty with his performance as the lovelorn Aniq. The result is, quite simply, one of the most playfully made TV productions in years. With each narrator more unreliable than the last, new facts and versions of the night are established with each testimonial. This level of genre experimentation means The Afterparty reinvents itself in every one of its episodes while still moving its central mystery forward. The Afterparty doesn’t just let each of its characters shine, it shows us how they see themselves in the world - even if that means one episode becomes a Fast and Furious-style action film told from the POV of a machismo-obsessed ex-husband (Ike Barinholtz). (If The Afterparty proves anything, it’s that Schwartz and showrunner Christopher Miller need to team up for a feature-length musical.) “One of the most playfully made TV productions in years.” The show’s premiere (narrated by Sam Richardson’s nerdy Aniq) feels like a homage to a Richard Curtis-penned rom-com, another dips into animation, and Ben Schwartz’s episode adopts the style of a La La Land-esque musical. ![]() Each episode focuses on one of the reunion’s attendees as they recount their version of events to a detective (played by a reliably charming Tiffany Haddish) who intends to solve the night’s murder.īy jumping between each character’s perspective, The Afterparty takes a different approach in every episode. The Afterparty’s episodes all adhere to the same basic structure, and center around a high school reunion that ends with a pop star’s mysterious murder.
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